A deep dive into Black Sabbath's unexpectedly revitalized "Forbidden" album Highly anticipated. That’s the only way to describe the release of Black Sabbath’s box set covering their 1989–1995 recordings, featuring Tony Martin on vocals. This often-overlooked era, which we’ve previously delved into, contains its share of musical gems crafted by the masterful Tony Iommi. Yet, until now, the “Forbidden” album was universally regarded as the weakest link in the Black Sabbath discography. That perception, however, is now being challenged by a new remix of its material, laying the foundation for a fresh re-evaluation. At the time of its original release, “Forbidden” suffered from the production of Ernie C (of Body Count), an ill-fated attempt to keep Sabbath relevant amidst changing musical trends. The dry and flat sound undermined the compositions rather than enhancing them. Tony Martin’s vocals were pushed far to the forefront, Geoff Nicholls’ keyboards were virtually nonex...
The first of two parts of personal choices for the past decade The past decade continues and seems very close to those of us who experienced it firsthand, especially when we refer to the musical works that defined it. This tribute offers nothing more than the writer's personal experience of the past decade of music, through the records he enjoyed most at the time they were released. Vektor – Terminal Redux (2016) Extremely technical and complex, with extreme influences and vitriolic vocals, Vektor were one of the revelations of the decade. A barrage of riffs, virtuoso lead guitars, a seminary rhythmic background and a subject matter that dealt with science fiction themes, the Americans reached their tech-thrash peak with this album and, nine difficult years later, we are still waiting for its sequel. Atlantean Kodex – The C o urse Of Empire (2019) Starting from the multifaceted lyrical theme, which harmoniously intertwines historical and mythological...